![]() ![]() Freedom, as she sees it, requires women to risk entirely demolishing the art world’s institutions, and rebuilding them anew – in other words, to leap into the unknown. With unparalleled insight and startling wit, Nochlin laid bare the acceptance of a white male viewpoint in art historical thought as not merely a moral failure, but an intellectual one. Instead, she dismantled the very concept of ‘greatness’, unravelling the basic assumptions that had centred a male-coded ‘genius’ in the study of art. Nochlin refused to handle the question of why there had been no ‘great women artists’ on its own, corrupted terms. Linda Nochlin’s seminal essay on women artists is widely acknowledged as the first real attempt at a feminist history of art. ![]()
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